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The
Harp
As we didn't know much about the
harp ourselves, this page was kindly written for us by Brian Davis.
The pictures are courtesy of
Dreamsinger
Harps and Venus
Harps.
Family: String, though quite unlike the violin etc.
Cost: from £1,000 (small, Celtic or folk harp) or £5,000
(concert, orchestral or pedal harp)
Best age to start: 8 years upwards (small harp) or 12 years upwards
(large harp)
Easy to start? Yes, if you can find a teacher
Harps
are among the most ancient of instruments and are found in different
forms all over the world. All the Celtic nations particularly revered
the harp from earliest times. The harp is basically a wooden
triangular frame with strings stretched across it, ranking from short
(high) to long (low). It rests on the right shoulder (at its point of
balance, so it's not too heavy) and the right hand plays the treble
and the left hand plays the bass. The sound is made with the tips of
the thumb and first three fingers (the little finger is too short). To
ensure a good and varied tone fingers need to grow strong with
practice, and learning a good technique from the start is essential to
avoid ineffectiveness and frustration, so the harp is not a good
instrument to try and teach yourself - you really need a teacher.
It is a great advantage to have learned the piano first (say, up to
Grade 3) so that reading a double-stave score - using both hands
together - is already familiar, and there is some basic knowledge of
how the key-language of music works. Then one is freer to concentrate
on how the notes are arranged (not like the piano, neatly laid out
under the eyes, but much closeer together starting behind the right
ear and slanting down to the bass) and how to get the best sound from
the strings. Playing the instrument is straghtforward to start with
and one can make a pleasant sound from the beginning. Once basic hand
positions are mastered, one can soon start to play simple tunes.
The
small or folk harp comes in a variety of sizes, but the average range
is about four and a half octaves - around 32 strings. It usually
stands about 3'6" high and weighs around 30 lbs. (13 kilos). The
strings are arranged in a rising scale with the C's coloured red and
the F's coloured blue for quick recognition. By a system of levers at
the top of the strings these can be tightened or loosened a semitone,
so that one can get some of the "black notes" and play in a
wider range of keys.
The concert harp has a much larger range, with nearly fifty strings
giving six and a half octaves. It stands around six feet high and
weighs between 80 and 110 lbs. (40 - 50 kilos). As with the small harp
the strings are arranged in a rising scale, but here all the strings
can be tightened or loosened by one or two semitones (so can each play
three different notes) by means of foot pedals which rest in three
different positions, flat, natural and sharp. The left foot controls
all the B, C and D strings, while the right foot has the E, F, G and A
strings. The pedals give you control of rods that pass up the centre
of the pillar at the front of the isntrument. These are attached to a
system of levers along the curved top of the harp, which work little
discs with pins to pinch or release the string, once for a semitone,
twice for a tone. All this means that despite having no "black
note" strings like a piano, one can get all the notes on a piano
- all flats, naturals and sharps - but not all at the same time. You
can set the harp entirely in flats (making a C flat scale), or
entirely in naturals, or entirely in sharps, or any of the dozens of
permutations in between. This is what enables one to set up a
particular scale or chord then make that spectacular and unique harp
sound, the glissade or glissando by running a finger
or thumb up and down the instrument. But you can't play a chromatic
scale at any speed since you have to use some strings twice and be
very nifty with the pedals! When playing a piece, one sets the harp in
the key the piece starts in, then each time a note occurs outside that
pattern, one has to use one of the pedals. This is usually quite
straightforward, but gets complicated in more advanced music and can
be impossible if the composer hasn't done his homework on the
instrument!
The concert harp has a reasonable repertoire of its own, though not
so large as that of the piano - both classical, romantic (where it
excels) and modern. Music written for the piano can be very effective
on the harp if it is not too harmonically complex or "pianistic".
The strings are mostly of gut, with metal strings in the bass, so the
instrument needs tuning each time it is played. Electronic tuners are
available which make the task easier. It should not take long - a
matter of minutes. Gut strings perish in time, but at the start, if
the harp stands in an evenly regulated atmosphere, this should not be
a problem. We have known a pupil say she had not needed to change a
single string for a year, though this is unusual. With much playing
and the need to move the instrument frequently into places like hot
concert halls or damp churches, the situation certainly changes. First
octave strings cost about £4 (but you get more than one length);
fourth and fifth octave ones are £8 - £15, and the metal
bass strings £12 - £20 though these will often last for
years. Nylon strings are available, and necessary in certain climates,
but seem more difficult to tune and don't sound as good.
Harps are more robust than they look, but nevertheless need to be
treated and moved with care; the tension of all the strings puts an
enormous pressure on the frame. As the mechanism of a concert harp is
intricate, instruments should be serviced from time to time by an
expert, and in the UK this usually means a trip to London. As frames
can warp and the mechanism wear, newer harps are usually best. As a
rule their value decreases over time (unlike fine violins, which gain
value as they get older). That said, it is true that the quality of
the different makes of new harp varies greatly, and some of the
beautiful old 19th Century harps by the well-known maker Erard, now
renovated, have surged up in price recently. In the UK most harp
makers and harp-dealers are in and around London.
Transporting a folk harp does not present much of a problem, but an
estate car or van is needed for a concert harp. Padded covers protect
them well enough, and many harpists have a little trolley to wheel the
instrument about on. If your travel involves trains, ships, planes or
pantechnicons you need a hard case - a major and heavy piece of
luggage indeed.
There is a wide range of opportunity for harpists, but you do need to
stir yourself to find it. A professional orchestra only needs one or
two harpists, and it only needs them for a minority of pieces. On the
other hand amateur orchestras always find it hard to locate harpists
when they need them - and when they ARE needed, they're really
needed as there's no other instrument, acoustic or electronic, that
can successfully imitate the harp's unique sound. The repertoire of
chamber (i.e. small group) music is not large, but harps always sound
well accompanying singers and solo instruments. It's also useful for
collaborations with artists from other genres like dance,
puppeteering, poetry etc. There's quite a good demand for solo
harpists to perform at functions like weddings and dinners, and
harpists often give recitals in small halls and churches. The Celtic
harp has a favoured place in the folk world, and always sounds good
either on its own or in a band.
To learn more about the harp, we recommend
The Harp Haven,
a good portal to a variety of harp-related sites.
Venus Harps
and Dreamsinger
are two American manufacturers of concert and folk harps respectively,
both with interesting websites. A search at
Music
Teachers.co.uk reveals over 40 harp teachers based in the
UK, while American visitors should go to
The Celtic
Harper and follow the link to "teachers".
Summary
An expensive instrument to buy, but it may be possible to find
a harp firm that will rent you one
Finding a teacher may be difficult - there are a number in
London and other major cities, but elsewhere they are few and far
between
Easy enough to start
Large harps are easily damaged and need to be transported with
care. You need an estate car or van
Reasonable opportunities for group music-making but you'll
have to search for them
Use this Google Search box to find more stuff about
the harp, either on this site or on the World Wide Web.
Click here to go home
Copyright © David Bramhall & Brian Davis 2003 |
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